Curationism
Curationism

Curationism - How Curating Took Over the Art World And Everything Else

This publication is recommended by our curator Steven ten Thije:


"Writing this review I now know that I’m participating in what David Balzer terms ‘curationism’. It’s presented with wit and clarity in his pleasantly short easay ‘Curationism, How Curating Took Over the Art World And Everything Else’. Both informing and polemic, it combines a quite nice etymology and history of the contemporary curator with a compelling analysis of how curating reflects a broader shift in culture in which liking and sharing have been become the digital oxygen in today’s web-saturated culture. Blazer is Canadian and the main field of reference is definitely American, which cannot be copy-pasted one on one onto Europe’s still somewhat social-democratic being, but it will take little imagination for the European reader to understand the main gist of his argument. So, please read and share, and proof him right"


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Curationism Curationism

Curationism - How Curating Took Over the Art World And Everything Else

"Now that we 'curate' even lunch, what happens to the role of the connoisseur in contemporary culture? ‘Curate’ has become a buzzword, applied to everything from music festivals to artisanal cheese. Inside the art world, the curator reigns supreme, acting as the face of high-profile group shows in a way that can eclipse the contributions of individual artists. At the same time, curatorial-studies programs continue to grow, and businesses are adopting curation as a means of adding value to content. Everyone, it seems, is now a curator.But what is a curator, exactly? And what does the explosive popularity of curating say about our culture’s relationship with taste, labour and the avant-garde? In this vibrant and original book, David Balzer travels through art history and around the globe to explore the cult of curation, where it began, how it came to dominate museums and galleries, and how it emerged at the turn of the millennium as a dominant mode of thinking and being — from superstar curator Hans Ulrich Obrist’s war with sleep to Subway’s ‘sandwich artists.’ Recalling such landmark works of cultural criticism as Tom Wolfe’s The Painted Word and John Berger’s Ways of Seeing, Balzer asks whether curationism has finally reached its own limits, where its widespread success has paradoxically led to its own demise. "

LIMITED STOCK AVAILABLE! PLEASE CONTACT THE MUSEUM SHOP BEFORE ORDERING!

Author(s) David Balzer
Publisher Pluto Press
Details 131 p. softcover.
ISBN 9,78075E+12
Language English
Article no. 9779

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